Dishon Yuldash, Swatchrokorn Wannasorn
Roots and Rituals
Project Info
- 💙 Agni Gallery Bangkok
- 💚 Maria Kolotovkina
- 🖤 Dishon Yuldash, Swatchrokorn Wannasorn
- 💜 Dishon Yuldash
- 💛 Moss Krittawat
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exposition, duo show "Roots and Rituals", artist: Dishon Yuldash, Swatchrokorn Wannasorn
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window â„–1 2026. Chinese rosewood, aluminum, video. 240x120x40. Dishon Yuldash
window â„–1 2026. Chinese rosewood, aluminum, video. 240x120x40. Dishon Yuldash
window â„–1 2026. Chinese rosewood, aluminum, video. 240x120x40. Dishon Yuldash
window â„–1 2026. Chinese rosewood, aluminum, video. 240x120x40. Dishon Yuldash
exposition, duo show "Roots and Rituals", artist: Dishon Yuldash, Swatchrokorn Wannasorn
stump 2026. painting, fiber glass. 90x85х36. Swatchrokorn Wannasorn insect in a cube, insect in an octagon 2026. aluminum. 26×21×d30. Dishon Yuldash
insect in a cube, insect in an octagon 2026. aluminum. 26×21×d30. Dishon Yuldash
exposition, duo show "Roots and Rituals", artist: Dishon Yuldash, Swatchrokorn Wannasorn
before they leave the city they change the uniform 2026. painting. 220x200. Swatchrokorn Wannasorn / square with four legs 2026. Aluminum, Chinese rosewood. 120×100×100. Dishon Yuldash
before they leave the city they change the uniform 2026. painting. 220x200. Swatchrokorn Wannasorn
square with three legs and a flower 2026. aluminum, Chinese rosewood. 120×100×100. Dishon Yuldash
square with four legs 2026. Aluminum, Chinese rosewood. 120×100×100. Dishon Yuldash
exposition. square with three legs and a flower 2026. aluminum, Chinese rosewood. 120×100×100. Dishon Yuldash. golden deer 2026. bronze. 60×75×45. Dishon Yuldash, Swatchrokorn Wannasorn.
golden deer 2026. bronze. 60×75×45. Dishon Yuldash, Swatchrokorn Wannasorn
golden deer 2026. bronze. 60×75×45. Dishon Yuldash, Swatchrokorn Wannasorn
golden deer 2026. bronze. 60×75×45. Dishon Yuldash, Swatchrokorn Wannasorn
Lanna 2026. Thai traditional cement. 118×118×80. unknown 2024. painting. h150хw90cm. Swatchrokorn Wannasorn
Lanna 2026. Thai traditional cement. 118×118×80. unknown 2024. painting. h150хw90cm. Swatchrokorn Wannasorn
In Lars von Trier's film The House That Jack Built (2018), the final part of the narrative follows Jack, accompanied by Virgil, as he descends into hell. This journey is structured as a slow descent through an architecturally precise space, reminiscent of both tunnels and stairways. During this descent, the hero encounters not only images of punishment and decay but also an unexpected shift in perception. At one key moment, Jack sees in window fragments of his own childhood memories. These images emerge as flashes of light within a dark, confined space. It is precisely at the moment of ultimate moral and existential collapse that what has been lost or repressed throughout life emerges. This is a space of radical awareness, where memory serves as the final proof of humanity. These bright memories do not save the hero, but they capture the value of lived experience and demonstrate how early, often unnoticed events shape the structure of personality and the script for future experience. Ritual is understood here as a daily practice of awareness. Through small, repeated actions, it connects body, space, and memory. Drawing from the Northern Thai Lanna tradition, where ritual naturally exists within daily life, the exhibition approaches the gallery as a living environment that unfolds through presence, duration, and attention.
The structure of the four columns is aligned with the architectural and ritual logic of Lanna culture, where the home is understood as a living organism shaped through ceremony. In northern Thai tradition, the installation of pillars is accompanied by sound, offerings, and collective presence, while the columns themselves act as mediators between humans, the earth, and invisible forces. Within the installation, this structure is reimagined as a temporary dwelling in a state of transition, where sound and vibration connect bodies, memory, and space.Within this system, a video work is presented through a wooden window embedded in an aluminum cabinet, linking the organic and the industrial.
Dishon Yuldash