Tobi Keck, Marcos Uriondo, Iuliia Skromnaya, Perce Jerrom, Misha Gudwin, Ivan Volkov
"Best before: 17/09/2025"
Project Info
- 💙 Emergency Space
- 💚 Misha Gudwin, Iuliia Skromnaya, Ivan Volkov
- 🖤 Tobi Keck, Marcos Uriondo, Iuliia Skromnaya, Perce Jerrom, Misha Gudwin, Ivan Volkov
- 💜 Misha Gudwin
- 💛 Misha Gudwin
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Exhibition view
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Ivan Volkov, Pumpkin man, 2025, Pumpkin Carving, 37 x 15 x 15 cm
Ivan Volkov, Pumpkin man, 2025, Pumpkin Carving, 37 x 15 x 15 cm
Iuliia Skromnaya, "Peas on Heels", 2025, Mixed media, 18 х 25 х 8 cm
Iuliia Skromnaya, "Peas on Heels", 2025, Mixed media, 18 х 25 х 8 cm
Marcos Uriondo, Pizzacats, 2022, print on pizza slice, 20 х 20 cm
Tobi Keck, #shroomjak, 2025, Cabbages, nails, 145 x 115 cm
Tobi Keck, #shroomjak, 2025, Cabbages, nails, 145 x 115 cm
Tobi Keck, #shroomjak, 2025, Cabbages, nails, 145 x 115 cm
Tobi Keck, #shroomjak, 2025, Cabbages, nails, 145 x 115 cm
Misha Gudwin, Сrispy horror, 2025, gypsum, acrylic, chips Lay’s 3D’s Bugles, 30 х 50 х 30 cm
Misha Gudwin, Сrispy horror, 2025, gypsum, acrylic, chips Lay’s 3D’s Bugles, 30 х 50 х 30 cm
Misha Gudwin, Сrispy horror, 2025, gypsum, acrylic, chips Lay’s 3D’s Bugles, 30 х 50 х 30 cm
Iuliia Skromnaya, "Choco Bow", 2025, Object, Nesquik, 26 х 40 х 3,5 cm
Iuliia Skromnaya, "Choco Bow", 2025, Object, Nesquik, 26 х 40 х 3,5 cm
Perce Jerrom, Cocktail, 2025, Bucket, various alcohols chosen by curators, 23 x 30,5 cm
Perce Jerrom, Trap, 2025, Fruit fly traps, 3,5 x 5,5 x 3,5 cm
Perce Jerrom, Trap, 2025, Fruit fly traps, 3,5 x 5,5 x 3,5 cm
Marcos Uriondo, Firulais, 2023, chili oil on cardboard, 56 х 41 cm
Ivan Volkov, Pumpkin man 2, 2025, Pumpkin Carving, 37 x 15 x 15 cm
The central idea of the exhibition project is the use of ephemeral materials in the creation of artworks. These may include food products, natural substances, or any other perishable matter. In this way, the very notion of sculpture as something “eternal”
and durable is put into question, placing the work within a context of temporality
and transformation.
Throughout the exhibition, the works underwent changes, retaining their original appearance only in photographic documentation. This documentation, represented on online platforms, emphasizes the transition from the object to its medial trace.
Misha Gudwin
